If you took music theory classes in high school or college, or your childhood piano teacher was big on music theory, then you probably had to name every key signature. They may recite something like this until they remember all the possible keys: Many musicians have learned the key signatures simply by memorizing them. Here are some common ways to learn or remember key signatures. ![]() But, it’s most helpful if you have several tricks up your sleeve so you can think about the key of your music from a few different perspectives. There are a number of different ways that pianists can think about scales and key signatures in order to keep track of them all. When we learn scales on the piano, we’re learning which keys or “colors” work well together within the context of a certain key.įor example, when we are playing in G Major, F sharps are a “color” that work better than F naturals. Instead, they select a handful of colors that work well together and create their masterpiece within the framework of using a certain color scheme. They don’t open every single jar of paint that they own and use every color possible. Think about when an artist sits down to paint a picture. Every black key that rolls along throws you off your reading game and makes your playing feel clumsy and inadequate.Īs pianists, it’s important to have a strong understanding of scales and key signatures so that we can learn to play music in any key. You might relate to that feeling of reading through music with a bunch of sharps and flats and feeling like you’re at odds with the notes on the page. Many pianists begin by learning to play and read music in the key of C Major, focusing on the geography surrounding the white keys of the piano.īut, once you move beyond the beginning stages of learning the piano, most music is written in other keys that will likely have several sharps or flats to keep track of. A lot of piano students feel intimidated when they see a bunch of sharps or flats in their sheet music.
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